In my scholarship, I seek to place antiquity in dialogue with modernity, defamiliarizing and destabilizing widely accepted critical positions by exploring the emancipatory potential of textual and visual form. Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon(University of Chicago Press, 2016) theorizes the nexus between canonicity and sensory—especially haptic—materiality. On the threshold between critique and post-critique, my monograph, Archive Feelings: A Theory of Greek Tragedy (Ohio State University Press, “...
My research is concerned with the history and present of artistic authorship, with a focus on interactions between China and the West. My theoretical interests revolve around the critical distinctions of high and low, true and fake, art and commodity, originality and imitation, and, conceptual and manual labor, and thus my work focuses on objects and practices at the boundary of these categories. My first book, Van Gogh on Demand: China and the Readymade (U Chicago Press 2014...
My research interests concern science and narrative, as well as varied topics in the history and philosophy of science. My book, A Final Story: Science, Myth and Beginnings, centers on the emergence of the so-called “scientific epic” as one among a set of possible frames or genres for synthesizing branches of knowledge according to a narrative, historical structure. I have also been involved in interrelated collaborative research, including studies of the genealogy and structure of technoscientific futurist imaginaries, the relationship between narratological categories and...
