|
The Before and the After: Critical Asynchrony Now |
Mario Telò; Sean Gurd |
2024 |
Edited Volume |
|
Reading Greek Tragedy with Judith Butler |
Mario Telò |
2024 |
Book |
|
An Artificial History of Natural Intelligence: Thinking with Machines from Descartes to the Digital Age |
David Bates |
2024 |
Book |
|
Life Cycles beyond the Human: Biomass and Biorhythms in Heraclitus |
James I. Porter |
2024 |
Journal Article |
|
Nietzsche and Literary Studies |
James I. Porter |
2024 |
Edited Volume |
|
Was ist ‘jüdische Philologie’? |
James I. Porter |
2024 |
Edited Volume |
|
Niobes: Antiquity, Modernity, Critical Theory |
Mario Telò; Andrew Benjamin |
2024 |
Edited Volume |
|
Niobes: Antiquity, Modernity, Critical Theory |
|
2024 |
Edited Volume |
|
Foucault, Kant, and Antiquity |
James I. Porter |
2024 |
Journal Article |
|
Radical Formalisms: Reading, Theory, and the Boundaries of the Classical |
Mario Telò |
2024 |
Edited Volume |
|
The Cynics With and Without Foucault |
James I. Porter |
2023 |
Journal Article |
|
Resistant Form: Aristophanes and the Comedy of Crisis |
Mario Telò |
2023 |
Book |
|
Greek Tragedy In A Global Crisis |
Mario Telò |
2023 |
Book |
|
Ramus Volume 52: Wayne Shorter and esperanza spalding's …(Iphigenia): Interdisciplinary Approaches |
Mario Telò |
2023 |
Special Issue |
|
Representations,158: Proximities: Reading with Judith Butler |
Mario Telò; Debarati Sanyal; Damon Young |
2022 |
Journal Article |
|
Queer Euripides: Re-readings in Greek Tragedy |
Mario Telò; Sarah Olsen |
2022 |
Edited Volume |
|
Homer: The Very Idea |
James I. Porter |
2021 |
Book |
|
Archive Feelings: A Theory of Greek Tragedy |
Mario Telò |
2020 |
Book |
|
Postclassicisms |
The Postclassicisms Collective; James I. Porter |
2019 |
Book |
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Looking for Law in All the Wrong Places: Justice Beyond and Between |
|
2019 |
Edited Volume |
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Judaism: The Genealogy of a Modern Notion |
Daniel Boyarin |
2018 |
Book |
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The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles, and Euripides |
Mario Telò; Melissa Mueller |
2018 |
Edited Volume |
|
Introducion: Law at the Intersection of History and Theory |
Marianne Constable; Sylvia Schafer |
2018 |
Journal Article |
|
Jazz As Critique: Adorno and Black Expression Revisited |
Fumi Okiji |
2018 |
Book |
|
A Final Story: Science, Myth, and Beginnings |
Nasser Zakariya |
2017 |
Book |
|
The Voyage of Thought: Navigating Knowledge across the Sixteenth-Century World |
Michael Wintroub |
2017 |
Book |
|
Learning from Shenzhen: China’s Post-Mao Experiment from Special Zone to Model City |
Mary Ann O'Donnell; Winnie Wong; Jonathan Bach |
2017 |
Edited Volume |
|
Public Servants: Art and the Crisis of the Common Good |
Johanna Burton; Shannon Jackson; Dominic Willsdon |
2016 |
Edited Volume |
|
Representations 136: Time Zones: Durational Art and Its Contexts |
Shannon Jackson; Julia Bryan-Wilson |
2016 |
Special Issue |
|
Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon |
Mario Telò |
2016 |
Book |
|
The Sublime in Antiquity |
James I. Porter |
2016 |
Book |
|
Imagine No Religion: How Modern Abstractions Hide Ancient Realities |
Daniel Boyarin |
2016 |
Book |
|
Plasticity and Pathology: On the Formation of the Neural Subject |
David Bates |
2016 |
Book |
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What is a World?: On Postcolonial Literature as World Literature |
Pheng Cheah |
2016 |
Book |
|
ゴッホ・オンデマンド 中国のアートとビジネス |
Winnie Wong |
2015 |
Book |
|
A Traveling Homeland: The Talmud as Diaspora |
Daniel Boyarin |
2015 |
Book |
|
positions: asia critique: Reconsidering the 2006 MIT Visualizing Cultures Controversy |
Winnie Wong |
2015 |
Special Issue |
|
Van Gogh On Demand: China and the Readymade |
Winnie Wong |
2014 |
Book |
|
The Cambridge Introduction to Literature and Philosophy |
Anthony Cascardi |
2014 |
Book |
|
Our Word is Our Bond: How Legal Speech Acts |
Marianne Constable |
2014 |
Book |
|
On “The Wire” |
Linda Williams |
2014 |
Book |
|
Time, History, and Literature: Selected Essays of Erich Auerbach |
James I. Porter |
2013 |
Edited Volume |
|
The Jewish Gospels: The Story of the Jewish Christ |
Daniel Boyarin |
2013 |
Book |
|
D-Passage: The Digital Way |
Trinh Minh-ha |
2013 |
Book |
|
Comedy and the Discourse of Genres |
Mario Telò |
2013 |
Edited Volume |
|
Poiesis and Modernity in the Old and New Worlds |
Anthony Cascardi |
2012 |
Edited Volume |
|
Juridical Humanity: A Colonial History |
Samera Esmeir |
2012 |
Book |
|
Archivkörper |
Mario Wimmer |
2012 |
Book |
|
Social Works: Performing Art, Supporting Publics |
Shannon Jackson |
2011 |
Book |
|
States of War: Enlightenment Origins of the Political |
David Bates |
2011 |
Book |
